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Dreams/Sleeping

Dreams 1: The title holds the word "dream," inferring that the play will be either a dream or will talk about dreams. The interpretation is up to the audience member or reader. However, the title foreshadows so many events that occur in the play and also subconsciously sets a mood before the first line is even uttered. Act II, Scenes 1-2: "Night, A wood near Athens" & "Another part of the wood" Dreams 2: As Oberon explains the nature of the magic flower juice, he mentions that it must be placed upon sleeping eyelids. Dreams come to life during sleep. So, the magic juice works in collaboration with dreams and only works when the person is asleep, perhaps dreaming or perhaps awaking to a new dream. Dreams 3: This is the first placement of the magic juice on sleeping eyelids. Oberon uses the flower juice on Titania to play a trick on her/teach her a lesson. He whispers into her sleeping ears that when she wakes, she will fall in love with something vile. ...
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Book Summary

The play opens in a palace in Athens one hour before the wedding of Theseus, Duke of Athens, to his newly conquered Amazonian queen, Hippolyta. Their nuptials are interrupted by Egeus, an Athenian father begging help of Theseus. His daughter, Hermia, is in love with young Lysander, and wants to marry him. Egeus already bequeathed her to Demetrius, who is also in love with her. Hermia's childhood friend, Helena, is in love with Demetrius, and follows him around like a lost puppy. Theseus tells Hermia that she has until morn to decide to marry Demetrius, join a nunnery, or die. Lysander and Hermia decide to run away together into the woods and elope near his aunt's home. They get ready to leave as they see Helena ranting about her love for Demetrius and her unhappiness that he puts her down all the time. They tell her of their plan to escape. In a room in the carpenter Quince's house in Athens, six commoners discuss their plan to put on the play, Pyramus and Thisbe, at the Du...
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Love's Foolishness

Love's Foolishness 1: The mockery made of love in this play is evident from the first scene until the last. The play opens as a wedding is supposed to take place, the realization of a holy union of bliss. However, that union is interrupted by a plea from outside. The very fact that the symbol of love, a wedding, begins the play, but never truly takes place sets a precedent for the illustration of the foolishness of love for the rest of the play. Love's Foolishness 2: Young Helena is unabashedly in love with Demetrius, a man who not only despises her, but is in love with her close friend, Hermia. The roles seem to reverse in this "couple," for Helena is the person who pursues an unwieldy Demetrius, while he chases another. This is a game of cat and mouse. These characters have turned love into a game. Love's Foolishness 3: This time, love is mocked in a play within a play. The commoners (and comic relief of this Shakespearean play) decide to put on the lamentable t...
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